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78 FAVORITE SONGS FOR SCHOOL AND HOME |
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GRADUALLY, in Italy, singing became an art. What we mean by singing when we speak of it as a source of pleasure ot the higher kind, is really an Italian art, which has been diffused over the civilized world; and the Italian school of singing is still the great school,�others, in so far as they differ from that school, being inferior. The first distinctive charac�teristic of the Italian school of singing is the delivery of the voice, the mode of uttering a single note. Italians generally (for singing in this way has be- |
come a second nature to the whole people) use their voices in quite a different way from the generality of other people. They naturally utter their notes with a purity and a freedom rarely heard from untaught persons of other races. The delivery of the voice is the foundation of their excellence as singers. In�deed, it may almost be said to constitute that excel�lence ; for not only is there no great singing without it, but the chief aim of Italian vocal discipline is to attain execution united with this free vocal utterance. |
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THE SLUMBER SONG. |
F. KUCHEN. |
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There are singers who have voices of remarkable power, range and flexibility, who can never be great because, either by nature or from bad and ineradica�ble habit, they cannot attain this pure and free deliv�ery of the voice. Theii tone is guttural, or it is nasal, or it is rough, or it is unsteady, or something else ; it may be merely constrained ; in any case, the fault is more or less destructive. There may be great singing without great power, without remarkable flexibility, without the ability to execute a roulade or |
trill; but there can be no singing really great without this free, pure delivery of the voice. A singer who can go through the whole range of his voice, from low to high, swelling out the tone and diminishing it with the vowel sound of broad a (ah), preserving, that sound pure, and uniting with it perfect intona�tion through crescendo and diminuendo, has con�quered much more than half the difficulties of the-art of vocalization. All the rest, almost without exception, are mere "limbs and outward flourishes."" |
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